Felix Rodewaldt (*1988, Munich) is a tape art pioneer whose recent focus lies in large-scale murals. He considers contemporary architecture his canvas, transforming walls, stairwells, and overlooked urban spaces into dynamic visual experiences.
Beginning during his studies, Rodewaldt developed a distinctive approach: vibrant, site-specific interventions that alter the perception of both public and private environments. Drawn to forgotten and transitional spaces—elevators, staircases, corridors—he explores the visual potential of even the smallest surface.
His clean-cut, geometric style has extended into interior design, leaving its mark on restaurants, embassies, city parks, and nightclubs alike. Rodewaldt’s works radiate movement and redefine the mood of any location they inhabit. His practice is grounded in the tradition of Sol LeWitt’s Wall Drawings, pioneering the concept of “art in architecture.”
Using only masking tape and wall paint, Rodewaldt follows and bends existing structural lines, creating optical illusions and dimensional shifts. His goal is simple yet radical: to generate three-dimensionality on flat surfaces. His immersive installation Floor 2, created for The Haus – Berlin Art Bang, is among his most recognized works. Transforming a hallway in a former bank into an accordion-like passage of visual rhythm, the space itself became a permanent artwork—one that reshaped its architecture and needed no further explanation. Rodewaldt’s international exhibitions span from Germany and France to Greece, India, Ukraine, the United States, and Japan. Each journey through unfamiliar cities, cultures, and architectural styles continues to inform his visual language.